Looking forward to playing this when I get home!

Now that you've had a play I'll say a bit more about it. This was quite a challenge, especially as my games tend to be quite wordy. It ended up pretty minimalist and decidedly not a 'game'. But then I knew you liked sequencer like things. I learnt quite a bit about Unity in making it - I've only been using Unity for a couple of months. There are 175 sounds arranged in 7 banks of 25; each platform is an on/off switch for a sound bank. I made bump maps for each fabric - something I've never done before; I thought some of them looked really nice. I daresay you've realised that the first screen is choosing seed values for the randomiser so that you can repeat a particular room if you choose - again this was something I wanted to learn how to do. There are 100,000 possible combinations of fabric and sounds. The sounds were made in an hour in my kitchen and recorded using my phone. I set myself a couple of rules about the sounds. Firstly, they are as recorded; there are no effects or digital tricks involved. The only post-recording work was in chopping up the recorded files. This seemed more in line with the request for 'homemade' sounds. Secondly, I made sounds with no attempt at musicality; any rhthymic or other musical qualities are accidental or arise from the juxtapositions while playing. The sounds are mostly fairly harsh and abrasive; I liked that this contrasted with the idea of softness that you might associate with fabric. Thankyou for the challenge - making this definitely took me out of my comfort zone. In particular, it made me listen to sounds in a way I don't do often enough; sound is usually something of an afterthought in my games and that's something I should work on.

I especially like the way the sounds interact with each other to form accidental, but complex rhythms.